Thursday, May 31, 2012

Oh, what a night!

Yesterday, I met up with my friend Lenny. (We first met in Wilmington at my friend Melissa's wedding in 2009, and he lives here now) We started out at the Unique Grocery in the French Quarter on Royal Street. It's an old grocery store where they sell 16 oz. beers in every flavor for $1, accompanied by little brown paper bags. You get them to-go and walk around with them on the street... no problem!


From there, we strolled up cheesy Bourbon Street with our cocktails and had a good laugh at the really gross strip clubs... one in particular featured a large black woman covered in stretch marks and not much else, trying to lure passersby into the place. Guessing they provide happy endings? ha-ha


We classed it up a bit after that and went to one of chef John Besh's 6 restaurants, Luke. I love it. We got a dozen P&J oysters and I had my first Sazerac cocktail. From Wikipedia:

The creation of the Sazerac has also been credited to Antoine Amadie Peychaud, the Creole apothecary who moved to New Orleans from the West Indies and set up shop in the French Quarter in the early part of the 19th Century. He dispensed a proprietary mix of aromatic bitters from an old family recipe. According to legend he served his drink in the large end of an egg cup that was called a coquetier in French, and that the Americanized pronunciation of this as "cocktail" gave this type of drink its name. Around 1850, Sewell T. Taylor sold his bar, The Merchants Exchange Coffee House, and went into the imported liquor business. He began to import a brand of cognac named Sazerac-de-Forge et Fils.

At the same time, Aaron Bird took over the Merchants Exchange and changed its name to the Sazerac House and began serving the "Sazerac Cocktail", made with Taylor's Sazerac cognac and, legend has it, the bitters being made down the street by a local druggist, Antoine Amedie Peychaud. The Sazerac House changed hands several times and around 1870 Thomas Handy took over as proprietor. Around this time the primary ingredient changed from cognac to rye whiskey due to the phylloxera epidemic in Europe that devastated France's wine grape crops.At some point before his death in 1889, Handy recorded the recipe for cocktail and the drink made its first printed appearance in William T. "Cocktail Bill" Boothby's 1908 The World's Drinks and How to Mix Them,though this recipe calls for Selner Bitters, not Peychaud's. After absinthe was banned in the US in 1912, it was replaced by various anise-flavored spirits, especially Herbsaint from New Orleans.

The defining feature of the Sazerac is the preparation using Peychaud's Bitters and two chilled old-fashioned glasses, one swirled with a light wash of absinthe for the slight taste and strong scent. The second chilled glass is used to mix the other ingredients, then the contents of that are poured or strained into the first. Various anisettes such as Pastis, Pernod, Ricard and Herbsaint are common substitutes for absinthe when it is not available; in New Orleans Herbsaint is most commonly used.

After that we strolled down Royal Street admiring some of the prettiest architecture in the French Quarter and a fabulous antique store:

.

The historic Hotel Monteleone was our next stop and has a really popular Carousel Bar that slowly rotates while you sit drinking:

From their website: Antonio Monteleone was an industrious nobleman who was operating a very successful shoe factory in Sicily when he heard great things about America. The call of adventure motivated him to pack the tools of his trade and head for “the land of opportunity.” Antonio arrived in New Orleans circa 1880 and opened a cobbler shop on Royal Street, the busy thoroughfare of commerce and banking in America’s most European city. At the time Royal Street was indeed the grand street of the “Vieux Carre”, as the French Colonial’s sometimes called the new town. The Hotel Monteleone history of all sorts behind it. Being one of the premiere hotels in downtown New Orleans the Monteleone caters to the world during the famous Mardi Gras Festival.


In 1886, Mr. Monteleone bought a 64-room hotel on the corner of Royal and Iberville streets in New Orleans’ world famous French Quarter. The setting was ripe for Antonio to spread his entrepreneurial wings when the nearby Commercial Hotel became available for purchase. That was only the beginning of an amazing historical landmark that is one of the last great family owned and operated hotels in the city. Since 1886, four generations of Monteleone’s have dedicated themselves to making their hotel what it was and still is- a sparkling jewel in the heart of the French Quarter.

There have been five major additions to the Hotel Monteleone. In 1913, Antonio Monteleone passed away and was succeeded by his son Frank who added 200 more rooms in 1928, a year before another horrible crash in the U.S. economy. The Hotel Monteleone was one of America’s few family- owned hotels to weather the depression, and remained unchanged until 1954. That year the fourth addition required the razing of the original building and the foundation was laid for a completely new building that would include guest facilities, ballrooms, dining rooms and cocktail lounges. In 1964, under the direction of Bill Monteleone, who took over after his father passed in 1958, more floors, guestrooms, and a Sky Terrace with swimming pools and cocktail lounges were added. A number have film scenes have been shot here too.

     Our next stop was Rubenstein's, a distinctive men's store. They celebrated their 85th year in business in 2009. The Rubenstein family continues to provide their own legendary brand of personalized service from their historic site at the corner of Canal Street and St. Charles Avenue. 85 years later, a family member will still greet and help you! It is not uncommon to find Andre, David and Kenny Rubenstein attending to customers, just as their father and grandfather had so many years ago. They offer the finest clothing and shoes for men. They offer complimentary valet parking, personal shoppers and free delivery. While many things have changed over the years in the crescent city, the shop still offers expert alterations, gift-wrapping, office or home appointments and made-to-measure suits and tailored clothing. A $6,300 Brioni suit jacket....

The upstairs houses a haute couture design shop... the head designer and owner of Harold Clarke Coutuier Atelier was there and posed with one of hi gowns for me. An elderly gentleman, he has clothed and designed gowns for many a celebrity! There was one spectacular beaded gown with a train displayed at the top of the stairs and boasting a $25,000 price tag. The gown being a one-of-a-kind original, he wouldn't allow me photograph it ;-(

Our next stop was yet another New Orleans tradition, Galatoire's:

From their website:  Founded in 1905 by Jean Galatoire, this infamous address distinguished itself on Bourbon Street from its humble beginning. From the small village of Pardies, France, Jean Galatoire brought recipes and traditions inspired by the familial dining style of his homeland to create the menu and ambiance of this now world-renowned restaurant. Unlike most modern restaurants, Galatoire’s cuisine is not the creation of a singular superstar chef but rather of a family that has carefully safeguarded its traditions of impeccable cuisine, service and ambiance. Consistently providing this exquisite experience is itself an art form that Galatoire’s steadfastly maintains.

Galatoire’s traditions have been preserved with little change through the decades. (Table hopping is encouraged and locals "just put it on their tab".) There has been a slight modification of the restaurant’s once impenetrable policy of no reservations. Known for years by its characteristic line snaking down Bourbon Street, patrons would wait for hours just to get a table— especially on Fridays. One Friday, President Ronald Reagan placed a call to then retired U.S. Senator J. Bennett Johnston who happened to be waiting in line for a table. After the President’s call had ended, Senator Johnston graciously returned to his position in line.

Today, Galatoire’s does accept reservations for second floor dining. The first floor policy remains first come, first served at Galatoire’s. Senator or not. For over a century, Galatoire’s tradition for classic fare done simply and without showmanship has continued to build the restaurant’s reputation. In its fourth generation, Galatoire’s remains to this day family-owned and -operated. Through the years, 209 Bourbon has remained at once, nestled in the heart of the Vieux Carre, yet never far from Jean Galatoire’s picturesque city of origin in the foothills of the majestic Pyrenees.

Their  Friday "old guard liquid lunch" is a tradition.  The upstairs bar becomes packed and locals who often get in line early in the morning (or pay vagrants to stand in line for them!) The waiter Benedict (COOL guy to my left) told me a drunk man once "relieved himself" on the tile floor, then fled from the bar. Unfortunately, the woman next to him was the wife of a federal judge and the man had paid by credit card, making it easy to track him down. Not too smart. ha-ha.


From there, we biked up to the Warehouse District to Lucy's Retired Surfer Bar (see yesterday's blog entry). It was around 7 pm and they were having a crawfish boil outside for patrons ($5 a pound, cooked). There were big vats of live crawfish on the sidewalk, in water... and not knowing their impending fate.


Since Harrah's Casino was right there, we decided to go in an play the slot machines. Still carrying beers in brown paper bags (ha-ha) we walked in and blew a few bucks... when in Rome ;-)


Our last stop was a mile or two uptown, also via bike, on St. Charles Avenue. We closed out the evening with some Rainbow Rolls at Hoshun Sushi. A perfect and memorable night! Have I mentioned lately that I love New Orleans?

Wednesday, May 30, 2012

Random shots around town...

I had a Fendi mystery shop yesterday at Saks 5th Ave. and snapped these in the CBD (downtown) on Canal Street. I just love seeing and hearing the quiet streetcars lumbering through town. The St. Charles line has green cars and the Canal Street line has red ones. Fare is $1.25 and they're open air with working windows...

Remember when this was under water after Katrina and all the thugs were looting the stores? It's all cleaned up and revitalized now with lots of upscale shopping and office buildings, just blocks from the French Quarter.


 This is Brad and Angelina's manse at 521 Governor Nichols Street in the French Quarter...
Here's the real estate listing for the place:
http://www.eleanorfarnsworth.com/view.php?id=521_Gov


This is Lucy's Retired Surfer Bar in the warehouse district. I went to the original NYC Lucy's in 1987 and still have my souvenir glass... a very chill, popular bar with good food too!  ;-)


 From their website: Lucy’s first opened its doors in 1985 on the corner of 84th and Columbus Avenue (deep in Manhattan in the upper west side), New York City, far away from the nearest reef break. Owner Bruce Rampick, a native Southern Californian, joined forces with long-board riders, Kim Rampick and Bill Durkin, to open New York’s first “surfer bar” and restaurant. According to legend, lore, and a few interesting characters, the name Lucy is the closest American translation of the Polynesian Goddess of Surfing (that’s our story, anyway). The décor featured old surfboards hung from walls and ceiling accented by red and blue neon lighting, black-and-white surf photos were the artwork of choice, and the wild drink concoctions were laced with tropical toys. The style was relaxed, the Cali-Mex dishes hearty and fulfilling, and the drinks inspired by the ocean breezes and the crashing surf. Long a hangout for  celebrities and sports figures, Lucy’s hosted the likes of David Letterman, Jennifer Anniston, Mariah Carey, and Tom Cruise was a fixture as he trained for the movie, Cocktail.

There are so many types of architecture here but this simple one, the shotgun double, is one of my favorites. Shotgun, meaning all rooms run off the center hallway and you could "shoot a gun straight through the house" and double, meaning it housed two families, like a modern day "duplex". Note the two front doors, symmetry, and floor to ceiling windows which were flung open to catch the breezes before air conditioning. FYI, my yoga studio doesn't have AC so they do the same thing at the historic home where they're housed. Whew....

 And finally, as I got in the car yesterday evening around 6pm to meet my cousin for happy hour, this was the temperature reading... welcome to New Orleans!


Tuesday, May 29, 2012

I loooooove Perlis! ;-)

I was first introduced to Perlis almost 20 years ago (1993) by an Atlanta beau who was born and raised in New Orleans. We came here for New Years, Mardi Gras and Jazzfest, and he showed me all his favorite local foods, stores, bars and sites. One of them is Perlis... makes Brooks Brothers look like Walmart ;-)


It's a store at 6070 Magazine Street, and it has been there since 1939. The "haberdashers" are often decked out in seersucker and bowties, horn-rimmed glasses and pricey loafers and are super eager to please. In the 1970's Perlis introduced the iconic crawfish logo polo shirt, a local tradition and a staple in the wardrobe of anyone from New Orleans. They now have the crawfish logo on tumblers, keychains, button-downs, golf tees and everything you can imagine. The Ladies' Department is upstairs, and when I was there, it seemed like everyone knew everyone.

Perlis also specializes in white linen suits, seersucker, clothing in Mardi Gras colors, and Fleur de Lis cufflinks and attire... basically all things preppie and New Orleans. I LOVE this place! It's pricey, but who cares? It's old school, and the service is as good as it gets ;-)  http://www.perlis.com/

The crawfish logo polo shirts are $75... so I decided to go to the Junior League thrift store here, Bloomin Deals, to try to find one. Sure enough, I found plenty of them on the racks, in like-new, pristine condition, donated by Junior League women as part of their annual quota (I remember those days!). And yes, "el Cheapo" got herself a Perlis crawfish polo shirt (sorry, no photo) for $4. Yep... $4. ha-ha.


Fleur de Lis seersucker shorts... awesome!


Monday, May 28, 2012

Memorial Day weekend in New Orleans

I decided to try out my friend Brent's church yesterday, St, Charles Avenue Presbyterian. It dates to the 1930s, not super old, but it has a really nice Austin pipe organ and lots of beautiful stained glass. I found a seat, and a few minutes later, actor John Goodman sat down in the pew in front of me. He lives nearby, but must not be a regular because the other parishoners seemed surprised and "delighted" by his arrival. Rumor has it he attends AA meetings near where I'm living on Magazine Street.


An "equal opportunity worshiper", I stopped in at Trinity Episcopal in the evening for a lively, patriotic concert by the New Orleans Navy Band. They played Sousa marches, patriotic songs, and an Armed Forces Medley of the various military service branch songs (Army, Navy, Air Force, Marines...) They asked the verterans in the audience to stand when their branch's song was played. Chokes me up every year... men and women from age 20 to 90 stood and then sat, and everyone clapped. To close out the concert, the full brass section of the band played a raucous version of  "St. Louis Blues March" as a New Orleans crowd pleaser. EXcellent! The church hosts a free, public concert every Sunday at 5PM featuring a variety of music and instruments including accordians, sax, piano, ragtime, blues, jazz and classical and more.
 


After the concert, I was invited to the "young adults" barbecue on the lawn. (No, I wasn't the oldest one there.) I met a lot of friendly locals, including a girl who grew up in my home town, Chattanooga, and another who recently moved here from Raleigh. The guys were fun too. Professions included an accountant, a preservationist, a nurse, a public defender, a seminary student and more. Well rounded, articulate, beer-drinking crowd. They meet 2-3 times a month for drinks, golf, cookouts, etc. The coolers were brimming with local beers, and I tried my first Tin Roof, brewed in Baton Rouge...


All in all, it was a great Memorial Day weekend in New Orleans!



Sunday, May 27, 2012

A levee bike ride...

Yesterday, I zig zagged 5 miles through the Garden District on my bike to Audubon Park. From here, I hopped onto the well-maintained, paved Mississippi River levee bike trail and rode 10 miles west (and back)


My 30 mile round trip route, below, took me through the Garden District, uptown and Audubon Park, and through Jefferson Parish.


A shiny red train sat on the tracks below the levee just after I started my ride...


A row of rustic fisherman's shanties lined the riverbank at the base of the levee. They looked like they'd been there forever.



A little further up the trail, I saw the old Teoulet's which served as a grocery store, tavern and liquor store during the past 100 years. A renovation to remove asbestos shingles revealed some brightly colored, well-preserved 1940's ads on the building. Now called the Rivershack Tavern, the building is a highly-rated, albeit casual restaurant and a bar.


The Huey P. Long bridge stretches over the levee trail in Jefferson Parish.  It is a cantilevered steel truss bridge that carries a two-track railroad line over the Mississippi River with two lanes of US 90 on each side of the central tracks. Opened in December 1935 to replace the Walnut Street Ferry, the bridge was named for the extremely popular and notorious governor, Huey P. Long, who had just been assassinated on September 8 of that year. The bridge was the first Mississippi River span built in Louisiana and the 29th along the length of the river. It was designed by Polish-American engineer Ralph Modjeski.


I was curious about the horse references on trail signage until I noticed a couple of stables on the non-river side of the levee...



The bustling Mississippi River hosts a lot of industry, barges, electrical towers, tugboats and activity.



About 5 miles into my ride, the scenery became woods and wetlands on the river side and residential on the north side of the levee.


After 10 miles, I decided to turn around. The last landmark of note was a vacuum pump, attached to a pumping station by huge dual pipes that regulate the flow of water between the river and the low-lying land to the north of it. The levees were breached during Katrina in 2005, rendering the pumps useless as the water poured over and through the levees.


This is a huge electrical tower on the riverbank. Note the "small" man under it and the huge bird's built into the steel frame ;-) All in all, an interesting 30 mile round trip ride, even in 92 degree heat! I actually had a bit of  heat exhaustion about a 1/2 mile from home and had to sit on the sidewalk and rest, then walk my bike home. A little scary... gotta get used to the humidity here!

Saturday, May 26, 2012

Mardi Gras Indians... this city is other-worldly sometimes ;-)

After seeing a Mardi Gras Indian costume on display at House of Blues Thursday night, my curiosity was piqued, so I dug around and found their history and how they fit in to the even larger "mystery" of Mardi Gras. Living in New Orleans is like peeling back layers of an onion... something new to see, do, learn and experience every day! I plucked all this off the internet, including photos...
Mardi Gras Indian

Tracing their roots back to a time when American Indians helped shield runaway slaves, the Mardi Gras Indians are among the most colorful and mysterious of New Orleans' cultural phenomena. Finding it difficult to participate in Mardi Gras “krewes,” early African Americans developed their own way of celebrating by organizing Mardi Gras Indian tribes as krewes. Today, Mardi Gras Indians shine at every opportunity by showcasing their spectacular hand-made costume, lovely song and contagious spirit. Watch them parade and perform at several events including Jazz Fest, “Super Sunday” the Sunday after St. Joseph’s Day or come during Mardi Gras season when their celebratory spirits shine most – you can’t leave New Orleans without having joined in this truly unique tradition!

Where to Spot Mardi Gras Indians

Mardi Gras Day, of course, is the main day to find Indians as they bloom with the season’s celebrations, but other times they can be hard to track down. “Super Sunday,” the Sunday after St. Joseph’s Day, (March 19) is also a day that several Mardi Gras Indian tribes parade. Other good places to catch tribe gatherings include the banks of the Bayou St. John at Orleans Avenue in Mid-City, Taylor Park uptown on “Super Sunday,” the corner of Washington Avenue and LaSalle Street uptown; the intersection of Orleans and North Claiborne Avenues, near Armstrong Park; at Hunter's Field at the corner of North Claiborne and St. Bernard Avenues, or at the Backstreet Cultural Museum, where the history and costumes are on display at 1116 St. Claude Street, in the heart of the historic Tremé neighborhood. It is also recommended to ask a knowledgeable local or check the local newspaper as impromptu celebrations are very common.

Origins of the Mardi Gras Indians

The origins of the Mardi Gras Indians are murky, but Chief Becate of the Creole Wild West tribe is considered a progenitor for masking as an Indian during a Mardi Gras in the 1880s, and others then copying him. Scholars also credit the Native Americans who came to perform in New Orleans with the Buffalo Bill Wild West Show in 1884 for giving locals inspiration. Others believe that a connection between blacks and Native Americans was forged when New Orleans escaped slaves found asylum with Louisiana tribes. Indeed, Chief Becate is thought to have been part Native American.


Mardi Gras Indian Costumes

No one in the city dons more elaborate attire or takes costuming more seriously than Mardi Gras Indians do. Their fantastic costumes are unforgettable hand-sewn creations of intricate beadwork and dramatic images which rank among the nation's best folk art. Worn just once, the costumes take an entire year to create, with hundreds of thousands of beads, brightly dyed ostrich plumes, sequins, velvet and rhinestones sewn on by hand – some weighing as much as 150 pounds!

Mardi Gras Indian Music

Music, typically call-and-response chanting with tambourines and other handheld percussion, plays a central role in the Mardi Gras Indian spectacle, but the members of a few tribes—the Wild Magnolias and the Wild Tchoupitoulas in particular—have released critically acclaimed recordings and many times perform professionally with a full band. Mardi Gras Indian music has also permeated into New Orleans funk, soul and R&B. The famous New Orleans tune “Iko Iko” with the lyrics, “My flag boy and your flag boy, sitting by the fire,” is rooted in Mardi Gras Indian tradition as is the New Orleans standard “Hey Pocky Way.”

Mardi Gras Indian Tribes

There are more than 50 Indian tribes in the city and each march to the beat of their own drummer, literally. With a formal hierarchy of chiefs, spy boys, flag boys, big chiefs, wild men and other unique monikers, the Indians grace the streets of New Orleans’ neighborhoods in friendly competition over which chief is the “prettiest.” With boastful singing and threatening dances and gestures, on Mardi Gras Day the tribes go out seeking other tribes to do “battle” with. In earlier days, a meeting of tribes often turned violent, and few others would dare to be present. Now, plenty of spectators come out to watch Indian tribes who compete by costume and song one-upmanship. Indians are organized into roughly three dozen tribes with names like the Golden Eagles, the Flaming Arrows, the Yellow Pocahontas, and the Bayou Renegades.

Friday, May 25, 2012

A surprisingly good vibe at House of Blues' Foundation Room...

Last night, I had the pleasure of mystery shopping the Foundation Room, a members-only dining club and lounge that is part of House of Blues. My cousin Bill came along... ;-)


I've always thought of HOB as just sort of a cheesy, one-in-every-city, concert venue. Last night was sort of an education. Aside from the original 1992 House of Blues in Cambridge, MA, now gone, New Orleans has the oldest. The company was originally financed by Dan Aykroyd, Aerosmith, Paul Shaffer, River Phoenix, James Belushi and Harvard University among others. Co-founder Isaac Tigrett has collected authentic treasures from around the world, as well as local folk art, to make each location unique and representative of the community. Foundation Room members enjoy fine dining, exotic lounges and bars, wine tastings and special events, and secluded "Prayer Rooms" for meetings and private parties. Every Foundation Room is a unique and beautiful space decorated with art and artifacts from around the world. This is a Mardi Gras Indian "suit". They take a year to make, are worn only once and are treasured artifacts in New Orleans.


The front door was unobtrusive with no signage on the street, and we had to be buzzed in, pass by a desk to check in, and then take an elevator upstairs. Once there, a chic hostess encouraged us to have a drink at the bar before our dinner reservation. The bartender Alex was a gregarious, 8-year employee and proudly described his signature summer cocktails, including a blackberry mojito. After dinner, he offered us a private tour of the club and adjacent concert hall, showing us a reservable private Hindu Prayer Room with its own big projector/TV and stereo system, and walls upholstered in Indian dowry cloth. He said Drew Brees and Matthew McConaughey had recently used it for an event.


Banquettes, round couches, heavy wooden temple doors and sheer curtains made this room, the bar and dining room have somewhat of a bordello feel with a little spiritual aura thrown in. He took us to the private viewing balcony where FR members can watch the shows next door at House of Blues. He also showed us the green room where musicians relax, shower, dress and chill before and after shows. He pointed out some of the original local folk art and international treasures that HOB is famous for collecting and displaying, including the Mardi Gras Indian suit (above), Indian temple artrifacts, a chandelier from an old local plantation, and 4 carved stone angels from the original Batman movie.


The food was mostly tapas/small plates and we had an ahi tuna salad, a wedge salad with the best bacon rind "croutons" you've ever put in your mouth, pork belly on grits (out of this world!), crab cakes and a mac and cheese side. All of it was delicious. The Manager was friendly and accomodating and all staff made the effort to get to know us on a personal level and make sure our visit was first class! If you can find a way to enjoy this "club" with a member friend, in any city where there's a House of Blues.... do it!

Thursday, May 24, 2012

Garden District self-guided walking tour...

I printed this off from Fodor's and the stroll took just over an hour... a pleasant walk through the Garden District mansions, highlighting architectural and historical things, as well as "celebrity" homes. I biked up to Washington Avenue and started my tour at the crown jewel of the Brennan family's restaurant empire, Commander's Palace, with its unmistakable turquoise awnings. It is a turreted, Victorian structure built in 1883 by Emile Commander, and was a bordello back in the 1920s.


Archie Manning's residence, where football stars Peyton and Eli were raised, sits at 1420 First Street. As a Vols/Colts fan, I had to snap this photo! ;-)


1448 Fourth Street - Built by architect Henry Howard for KY Colonel Robert Short, the unique, wrought iron cornstalk fence is said to have been added to appease Short's wife who missed her Iowa roots:


This was just a nice home along the walk... not sure of its origins:


Currently owned by the Women's Opera Guild, the home below, at 2504 Prytania Street was designed by famed architect William Freret in 1858, and combines both Greek Revival and Queen Anne styles:


Considered a claustrophobic, cool-climate Victorian style of home, usually built in the late 1800's by Northerners who left New Orleans during the sweltering summers, the house below sits at 1137 Second Street. Note the rounded railing on the gallery. There are also ornate stained glass windows:


Designed in 1857  in the Greek Revival style and later augmented with an Italianate bay, this home at 1239 First Street was owned by author Anne Rice and was the setting for her Witching Hour series:


This house wasn't on the "tour" but was just spectacular and had beautiful ironwork and balconies.


2627 Coliseum Street- built in 1876 by noted architect William Freret and called Freret's folly, this chalet-style home was originally built for James Eustis, the Ambassador to France. No detail was left "un-frilled" from the ironwork to the gables to the finials. It is currently owned and occupied by actress Sandra Bullock and her adopted son Louie:


Finally, the home at 2425 Coliseum Street is the home of actor John Goodman.  It was previously owned by Nine Inch Nails singer, Trent Reznor and a number of new noise ordinances were added to the city's books during his time there...


A fitting place to wrap up the tour was Lafayette Cemetery. Established in 1833, this "city of the dead" is one of New Orleans' oldest cemeteries and a popular filming location. Hundreds of above-ground tombs are here, many in disrepair:



After a long morning of biking and walking in New Orleans heat (it's already in the 90s here!), I had to reward myself with some fresh, hot beignets! ;-0